A new year, but the crisp Pon Yup air wraps around me like a familiar, if not somewhat unwelcome, coat. I crush my empty can of Kirin and let the fizz of nostalgia settle in my throat. Five years ago, I might’ve used this night for resolutions—fresh starts, ambitious goals—but tonight, all I can do is dwell on the pieces of myself left behind in other places, with other people.
Pon Yup wears the face of Hong Kong like a knockoff reflection—both strange and familiar. The cynicism in the crowd, the neon glare of night markets, the unspoken distrust of the system: it’s so like home, yet tilted just enough to unsettle me. I wonder if parallel universes exist, each version of me drinking cheap beer on a rickety balcony, trying to recall who I used to be.
“Ling Ling” by The Black Skirts spills out of my phone, courtesy of the Spotify subscription I still pay for—twenty dollars a month, for old time’s sake. Once upon a balcony much like this, I blasted this track with a roommate as broke as I was, both of us convinced our youth would last forever. I didn’t speak the language—Korean lyrics might as well have been code—but we danced and sang anyway. Now, volunteers on the internet offer translations, bridging the gap I never tried hard enough to cross. I wonder how many connections I’ve let crumble because I didn’t have the words—or the courage—to hold them together.
I flick through Instagram on a flimsy VPN, half looking for hope, half trying to numb myself. My feed is equal parts regret and envy—friends who left, lovers who gave up, and versions of me who might have existed if I’d gone to Japan for high school, worn that seiranfuku uniform, handed a girl my second button at graduation. The romance of it all still haunts me. I was good at Japanese once. Middle school me was a standout, the student representative of Japanese language in the entire grade with 1300 students in a subject that never quite promised a future but gave me a rare taste of excellence. Then life happened, and I ended up in a frozen Canadian town where cherry blossoms were just a rumor.
I take a bitter sip of Trappistes Rochefort 10. The taste is horrible—cheap, sugary, a far cry from the refined drinks I used to imagine I’d sip one day. My phone buzzes: a like on my New Year’s post from an old Japanese high-school friend. She was brilliant and quiet, her eyes warm in a way that could steal my breath. I’d always wanted to talk to her in her language, maybe ask if she found the day as dreary as I did, maybe just say, Let’s walk home together! Senpai, I really liked you... But I was five years behind in class, and my mind was unraveling faster than I could learn.
Sometimes, I want to go back and shout at the kid I used to be: High school is the last chance you get to see your friends every single day without inventing reasons. Don’t waste it. But I know how it ends. She graduated a year before me, and I never see her again. That’s how most of my stories go—late realizations, early departures.
So here I am in 2025, trying to gather the courage to fly to Japan and see her once more. Tell her that her trusted mitsubishi pencil carried me through my uni in a frozen place on the other side of the world, that her life in waseda was an inspiration to me and without her I couldn't have made it. Maybe I’ll tell her the truth: that she’s the embodiment of a dream I never let go of, even in this dim balcony light, even when I’ve stopped believing in almost everything else. And maybe she’ll laugh, or maybe she’ll understand. Either way, it would be real, and that’s more than I’ve had for a long time.
On nights like this, regret is a slow poison, but hope is a defiant spark. If I can hold onto that spark, maybe this year, something will change. Maybe I’ll finally speak the words I never could—not in perfect Japanese, but in whatever voice I have left. And maybe, just maybe, that’ll be enough.
Keep fighting... ed... Ganbarimasu... zuttoni...